FILM: The Amazing Spider-Man 2
Cast: Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Chris Cooper, Campbell Scott…
DIRECTOR: Marc Webb
Over the years, the iconic Spider-Man has enthralled millions and with each new edition, be it comics, television series or films, our expectations soar for a fantastic action-packed drama.
Unfortunately, the much-awaited, Marc Webb’s The Amazing Spider-Man 2 is a damp squib. Cluttered with numerous sub-plots that lead to textual inconsistency, it offers a bland, insipid and a tangled fare packed with adolescent angst and predictable action.
This film takes off from its prequel, The Amazing Spider-Man. It begins with a flash back in a sepia-toned sequence beginning at the OsCorp Industries.
The sequence explains the mysterious disappearance and death of the scientist Richard Parker (Cambell Scott) and his wife Mary (Embeth Davidtz).
After establishing this, the film then shifts gear full throttle to a present-day action-packed sequence, where their son, Peter Parker (Andrew Garfield) continues to fight crime as Spider-Man.
Interspersed with; dynamically energetic shots of the web-slinger swinging between skyscrapers and chasing a rogue truck driver with silly tongue-in-cheek wisecracks and more than a few visual gags, the sequence is everything you could want from a Spider-Man movie.
If Webb’s entire sequel had operated on that level, it would have been remarkable and a different story to tell.
But instead, in this version, Spider-Man, Peter Parker (Andrew Garfield) is in a soup over the affairs of his heart.
He is distraught with pangs about; his relationships with his girlfriend Gwen Stacy (Emma Stone), his best childhood buddy Harry Osbon (Dane DeHaan), his fan Max Dillon (Jamie Foxx) who later transforms in to the villain Electro.
He also pines to find the truth about his biological parents.
And in between all this emotional mesh, he gives us a dose of his Spider-Man antics.
The lean Andrew Garfield nails Parker’s inherent awkward-yet-earnest goofiness. He is mischievously charming while romancing his real-life girlfriend Emma Stone on screen and at the same time he touches your heart in the powerful scene with Sally Field who plays his Aunt May.
The modestly radiant Emma Stone enthuses subtleness into her character, Gwen Stacy. She brightens the stage when she is with her beau. Similarly, Dane DeHaan stimulates the screen as the young damaged and arrogant billionaire who is defenseless and yet spiteful.
Jamie Foxx, in his one-dimensional avatar is impressionable. But unfortunately his imprint along with all the other the characters in the film have a fluid charm because in the larger scenario, the characters are pretty superficial and are treated just as comic book characters, without depth.
Here, the fault lies not with the actors but with the script delivered by Alex Kurtzman, Roberto Orci and Jeff Pinker.
The orphaned sub-plots loosely tie up the story in totality. Unfortunately, no justice is done to extract the optimum out of each of these story lines as well as the characters involved.
The background score and music by Hans Zimmer is lively and invigorating and different from his previous works.
The numbers, “I’d love you more than you are gone” along with “It’s On Again” are worth a mention.
Visually, with fine production values, it is a treat to watch cinematographer Daniel Mindel’s work shot on 35 mm film in the anamorphic format. These frames seamlessly merge with the computer generated images and are layered well by Paul Massey and David Giammarco.
The 3D is pretty ineffective in nearly ninety percent of the film. It’s only in a couple of shots when the shrapnel flies in the air that one flinches.
Otherwise Spider-Man’s plunges et al work equally well in the 2D version.
Overall, there is nothing amazing in The Amazing Spider-Man 2. (IANS)
FILM: Purani Jeans
Cast: Tanuj Virwani, Izabelle Leite and Aditya Seal;
DIRECTOR:Tanushree Chatterjee Basu
Coming-of-age films are so commonplace that they are more often than not, disappointing.
Purani Jeans doesn’t disappoint. It remains true to its genre. Watching a group of friends indulging in silly antics that are cute only to the friends themselves, may not be the most exciting of films to watch. But there lies the charm of such nostalgic concoctions. They show a self-contained world where the characters don’t seem to care whether their quirky camaraderie makes sense to the outside world.
Having said that, let’s get one thing clear. Purani Jeans doesn’t have the edgy enchantment of Farhan Akhtar’s Dil Chahta Hai or Zoya Akhtar’s Zindagi Na Milegi Dobara, the two college reunion sagas that seem to have become reference points for all filmmakers attempting to show youngsters coming to terms with life, love and friendship.
Purani Jeans gets by on the strength of the simplicity in the storytelling. The story of five friends who called themselves the ‘Kasauli Cowboys’ and who dream of making something of their lives individually and collectively as part of the college group, is so uncluttered and neat, you admire its lack of ambition. It’s a pungent premise that doesn’t quite peak to the point of poignancy in the proceedings. Still, you come away moist-eyed from some key scenes which are played out with the endearing transparency of the heart worn unpretentiously on the celluloid sleeve.
There’s a quality of unstrained sweetness about the characters. Tanuj Virmani, showing a marked improvement since his debut performance last year, is given charge of the proceedings. He’s the prized student of the campus who makes it big outside his hometown. He is like Ranbir Kapoor in “Yeh Jawaani Hai Deewani”, though far less skittish and self-centred in his behaviour. When he’s caught with his pants down, it’s not his fault. The script urgently needed a dramatic turn.
Virwani’s best friend is the lonely spoilt rich kid of the hill station, played by Aditya Seal who is quite simply the discovery of 2014. Seal plays the volatile heir with an air of aggressive bravura that works to make the character endearing. He is what Varun Dhawan in Student Of The Year couldn’t be.
Mark my words. Seal is here to stay. My favourite scenes in the film are not Seal’s shared intimacy with his best friend (Virmani) and fugitive beloved (Izabelle Leite, pretty but lifeless), but his bonding with his alcoholic mother (played by the very sensitive Sarika) who is married to muck (Rajit Kapoor, in a thankless role).
Seal plays the character as a cross between Kasauli’s Jim Morrison and a spoilt child who won’t grow up. It’s an ambivalently etched character played with strokes of assured bravado.
Purani Jeans is done in the spirit of a college reunion celebration. Brimming with a verve and vivacity, the three protagonists are sunny, fresh and exuberant — radiating a bonhomie when they are in a group, but lost and awkward when placed in a love triangle.
This film brings back the fragrance of romance and friendship which you thought cynicism had swallowed wholesale.
“Purani Jeans” is a moist-eyed homage to the spirit of enduring friendship.(IANS)