Wednesday, January 22, 2025
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   Exploring The Horrors of Partition  

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                                  By Ratan Bhattacharjee

 In contrast to the story of the 1947 Partition of India and Pakistan as an epiphenomenal event of Independence, the division of British India signaled a unique rupture in which the creation of borders became the defining traumatic event of that history. Moving away from familiar discourses of Independence, it may be argued that the history of the 1947 Partition is a history of borders in which the geographical borders drawn to separate and establish the independent nations of India and Pakistan are at once a concretely historical division and an incomprehensible site of trauma. The border becomes the site of the simultaneity between empirically known realities that constitute specific historical contexts and the overwhelming experience of history that exceeds immediate understanding. From the borders of the 1947 Partition, the subcontinent inherited what can be called “a geography of trauma” – a conceptual schema that is at once a geographical and national reality in which people live and an ungraspable experience that refuses boundaries.

Horrors of its partition left scars on India’s freedom from the British rule The reverberations of the event over the last seventy years have been encapsulated in several books, plays, and other forms of media. Indian Partition inspired impressive amount of historical, fictional  and analytical texts and it is really difficult to find a new angle of research. But the recently published books from Penguin, Cambridge Scholars Publishing and other publishers  reveal the unexpected nuances hidden under the layers of textuality the event has already gathered by avoiding the traditional Hindu -Muslim perspectives.

Written by the first President of India, India Divided traces the origins and growth of the Hindu–Muslim conflict, gives the summary of the several schemes for the partition of India which were put forth, and points out the essential ambiguity of the Lahore Resolution. Finally, it concludes that the solution for the Hindu–Muslim issue should be sought in the formation of a secular state, with cultural autonomy for the different groups that make up the nation. Midnight’s Children by Salman Rushdie is an epic novel that opens up with a child being born at midnight on 15th August 1947, just at a time when India is achieving Independence from centuries of foreign British colonial rule. Highlighting the relation between father and son and a nation yet in its nascent stage, it is an enchanting family adventure with lots of human drama and shocking summoning.

Bitter Fruit presents the best collection of Manto’s writings, from his short stories, plays and sketches, to portraits of cinema artists, a few pieces on himself. Bitter Fruit includes stories like A Wet Afternoon, The Return, A Believer s Version, Toba Tek Singh, Colder than Ice and many others. This collection brings together some of Manto’s finest stories, ranging from his chilling recounting of the horrors of Partition to his portrayal of the underworld. Powerful and deeply moving, these stories remain as relevant today as they were first published. Mottled Dawn by Saadat Hasan Manto is a collection of stories based on the India-Pakistan partition. The stories written around 1947 put forward the most tragic events in the history of the subcontinent.

Ismat Chughtai in Lifting the Veil explored female sexuality with unparalleled frankness and examined the political and social mores of her time. Nisid Hajari’s Midnight’s Furies: The Deadly Legacy of India’s Partition shows how Partition, which has created such a wide gulf between two countries whose people have so much in common, has given birth to global terrorism and dangerous proliferation. On a backdrop India’s struggle for independence, Laila, an orphaned daughter of a distinguished Muslim family, fights for her own independence from the claustrophobia of a traditional life. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart,

Sunlight on a Broken Column, first published in 1961, is a classic of Muslim life. With India’s partition in 1947 as its reference point, the novel presents a limitless canvas against which the most extraordinary trial in the history of mankind runs its course.Maloy Krishna Dhar’s Train to India is a graphic and moving account of that turbulent and unforgotten era of Bengal History.As a young boy, Maloy Krishna Dhar, made the perilous journey to India from the East Pakistan. The partion in Bengal had its share of tragedy, of lives unmade and lost, but it is relatively less chronicled than events in Punjab. As a young boy, Amitav Ghosh’s narrator in The Shadow Lines travels across time through the tales of those around him, traversing the unreliable planes of memory, unmindful of physical, political and chronological borders. Bits and pieces of stories, both half-remembered and imagined, come together in his mind until he arrives at an intricate, interconnected picture of the world where borders and boundaries mean nothing, mere shadow lines that we draw dividing people and nations.

The Broken Mirror by Krishna Baldev Vaid tells the story of Beero and his group of friends against a backdrop of partition of India. Beero’s passage through adolescence is told through a series of eccentric characters. When partition becomes a reality, in a time of terror and carnage, the insane turn out be the only ones sane. If Partition affected the lives of Sindhi Hindus, it also changed things for the Sindhi Muslims.Kamleshwar’s Kitne Pakistan dared to ask crucial questions about the making and writing of history. A sensitive and thoughtful look at the lasting effects of Partition on everyday people, Amritsar to Lahore describes a journey across the contested border between India and Pakistan in 1997, the fiftieth anniversary of Partition. Offering both the perspective of hindsight and a troubling vision of the future, Amritsar to Lahore presents a compelling argument against the impenetrability of boundaries and the tragic legacy of lands divided. Manto’s stories were mostly written against the backdrop of the Partition.

In Unbordered Memories, Sindhis from India and Pakistan make imaginative entries into each other’s worlds. Many stories in this volume testify to the Sindhi Muslims’ empathy for the world inhabited by the Hindus, and the Indian Sindhis’ solidarity with the turbulence experienced by Pakistani Sindhis. The Partition of the Indian subcontinent in 1947 left a legacy of hostility and bitterness that has bedevilled relations between India and Pakistan. Reviewing the turbulent history of their past relationship, Radha Kumar analyses the chief obstacles the two countries face in the light of the new opportunities and challenges that the twenty-first century presents. The tragic legacy of Partition haunts the subcontinent even today. Memories of Madness brings together works by three leading writers who witnessed the insanity of those months—Khushwant Singh, Saadat Hasan Manto, and Bhisham Sahni. As moving as they are disturbing, the stories in this volume are of immense relevance in these times, for they constitute a chilling reminder of the consequences of communal politics. Pieced together from oral narratives and testimonies, in many cases from women, children and dalits— marginal voices never heard before— and supplemented by documents, reports, diaries, memoirs and parliamentary records, this is a moving, personal chronicle of Partition that places people, instead of grand politics, at the centre.

(Dr Ratan Bhattacharjee is Associate Professor  and Head  PG Dept. of English  Dum Dum Motijheel College and International Visiting Professor , Fairleigh Dickinson University , New Jersey. USA. He can be reached at [email protected])

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