Friday, December 13, 2024
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Where have all the Awards gone?

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By Ananya S Guha.

There seems to be some debate about the legendary Bob Dylan receiving the Nobel award. The purists feel that a musician should not be  awarded an honour for literature. One  starts thinking   of  Pearl Buck, Hemingway, Steinbeck, Neruda  and  so  many I suppose – poets, novelists, short story writers. Of course there are pure and simple literary genres, and  creative writing must fit   in  to  any one  of  them for literary consumption. Bob Dylan thus does not belong  to  this grand design, or  does he, however inadvertently. So if we are spellbound by his lyrics, and  moved by  his ‘ poetry’ we are being unctuous towards a  world power, which manipulated this award several  times, they say. A song writer is a song writer, at best a singer of  pop music. Nothing more,  nothing less.

I  have problems with such  contentions. By awarding the Nobel Prize to  him, the Nobel Committee has  formally paid a tribute and recognition to  the co- existence of art forms, in this case poetry and music. Secondly as, in the words of  the Committee he gave ‘ new poetic expression ‘  to the great tradition of  the song. This interconnection between poetry and  song is a new challenge to the twentieth and  twenty first centuries, where art and  literature has shaped into  protest  movements. The Nobel Citation  has neatly subverted traditional norms of  literary genres, by refusing  to  straight jacket them. Last year’s awardee also  got  the Nobel not because of  writing poetry or fiction, but for conducting painstaking research in war  torn areas.

Secondly memories are short. Bertrand Russell the logical mathematician  was  awarded the  Nobel  for literature, Winston  Churchill  for literature for his famed autobiography. So the decision is not new. The novelty lies in the  proclamation of  genre subversion, and also  in  the assumption that  poetry and the song have likeness and are close allies since a long  time.

However  if  disclaimers say that the so called poetry in  his lyrics is not strong, evocative or good enough then  we  are  entering areas of  subjectivity and  personal likes or  dislikes. The fact that Dylan does not belong to any ideology or ism does not  seem to  help for searching, anatomising critics, who  would like to  leave him as an eccentric dilettante. Poetry they feel must be hard hitting remonstrances of the heretic. Wasn’t or isn’t Dylan  one? But rock, blues etc have no place for poetry. In the realm  of  aesthetics the world is changing. Poetry is represented with photographs and paintings. The ghazal has been rediscovered  as a new mode of  poetic expression. Collaborative poems are  also  being  written today. Bob  Dylan’s experiments lie in  raising poetry  from the mundane  to vigorously searching for the truth in  a rapidly changing world: “Where have all the young men gone/ where have all the  soldiers  gone/ where have all the young girls/ flowers gone?” are not meant  to be rhetorical  questions, they follow one after another like hysterical soul- searching  in the  face of  universal cataclysm. There is no  sign  of  moral edification but taking by  storm acts  of  purposeful retrogression.

The intrepid action of the Nobel Committee of redefining literary artefacts or canons must not only come as a surprise, but must  be  well appreciated for foregoing  genres, which  strictly speaking  have becoming cliched. The parallel for the arts must be  a  roving and cinematic eye, the inner perception of extra  sensory ability. Bob Dylan was and is not a myth  creator, but a myth bashing artist arraigning citadels of  hypocrisy  and untruth.

Poetry, music and song are points of  perpetuating reality.  Rabindranath Tagore composed songs, poems and short stories with felicity, with  an embedded pursuit  of truth,  creativity, the uniqueness of  universe upheld by God’s manifestation – Hopkins like his songs were a testament to mysteries of  the universe, relationships, their intricacies, god- man/woman relationships, and the powerful attributes of  the natural world. The Nobel Prize Committee should have recognised this in the first  place in  the early twentieth  century.

There is no need  for any  brouhaha. Bertrand Russell and  Winston Churchill have already received this coveted award  for non- literary genres. Dylan’s contribution is his  imagination, and  world of the fable, or allegory. His allegorical designs  impinge on  his  poetry- music with a power which sometimes drain the senses. Poetry is innate in the arts, in painting, films as well as in music. The musicality of the  written word is  celebration of the  senses. A new poetic expression  created by a music composer is  a new idiom  of poetry. We have to accept  it. Whether we like the compositions or not is  a ruthlessly subjective matter. For that matter every award can be  debated, especially the ones in  our  country!

The impact of the Beatles on Indian writers in  the sixties and seventies is well known. Leonard Cohen and Spike Milligan are known musicians are poets as well. Poetry and music have been wedded  in the past. The Nobel Committee’s assertion  is  a  formal launching of  new poetic movements, whether we as purists like it or not. The oddities of art are not at stake, but expansive and exploratory. Since the sixties to the present day the world has seen the resurgence and revival in the arts, science and technology. Nuclear capabilities have threatened to destroy the world. Racism, bigotry and religious intolerance have reached a new highs. Only  craftsmanship supersedes all that and all forms of  the much vaunted human intelligence.

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