New Delhi: Whether it is rewinding back to the 1910s or fast forwarding into 2050, Bollywood filmmakers are going back and forth in time with films like Teri Meri Kahaani and Dangerous Ishq, whose stories span over decades.
And what’s their biggest challenge? It’s in creating the right ambience and weaving a well-connected story.
Kunal Kohli’s upcoming romantic offering Teri Meri Kahaani, starring Shahid Kapoor and Priyanka Chopra, is set in three time periods — 1910, 1960 and 2012. Each has its own flavour.
Similar is the case with Vikram Bhatt’s Dangerous Ishq, the story of which spans over 500 years. Though said to be based on the theme of reincarnation, the movie will see actors Rajniesh Duggal and Karisma Kapoor in varied looks as the story travels from one era to another.
According to film historian SMM Ausaja, it is the writer’s prerogative to pen a lucid script, the director’s job to track trivial details, and the editor’s work to cut a film in a way that the audience doesn’t feel distracted.
“I feel content is king in such films. If a director makes the narrative less complex, it will be easier for the viewer to grasp it. Any confusion has to be credited to the script. Also, a lot depends on the depiction and the art direction. When you show a certain period in a film, it has to be well-researched,” Ausaja told IANS.
Bhatt, who went back to the 15th century for Dangerous Ishq, says it took a good amount of team effort to shape up the film with the authenticity for each era intact.
“We did a lot of research in terms of setting, costumes, dialect and colour palette. Otherwise, we could have lost the authenticity. So whether it was art direction, costumes, dialogues or colour…all departments did their individual research and worked as a team to perfect the look of the film,” Bhatt told IANS.
In the recent past, the transition in the looks of characters and the ambience have been portrayed in films like Veer Zaara, Bachna Ae Haseeno, Actionn Replay, Love Aaj Kal, Mausam, 7 Khoon Maaf and Rockstar.
Kohli, who had portrayed these changes in his hit 2004 love story Hum Tum, says more than the sets, costumes and research, it was important to focus on how the story holds over the time zones.
“It’s very important that the story holds over time zones. And how do I overcome the challenge of covering different time zones in a film? Well I write a good story,” he quipped.
Kohli admits Teri Meri Kahaani reflects his perception of the 1960s and his fantasy about the 1910s.
Filmmakers, who chose to deal with the subject of reincarnation in movies like Madhumati, Prem, Milan, Kudrat, Karan Arjun and Om Shanti Om, were also posed with the challenge of showcasing different time zones.
Bhatt however insists the idea of going back and forth in time is not distracting for the audience. (IANS)