FILM: The Lazarus Effect
DIRECTOR: David Gelb
CAST: Olivia Wilde, Mark Duplass, Donald Glover, Evan Peters and Sarah Bolger
Edgily balancing between the science fiction and horror genres, “The Lazarus Effect” is a poorly crafted film that has nothing original about it. And, the execution of the idea is both ineffectual and lethargic.
Set within the confines of a laboratory at St. Peternus University in Berkeley, California, the story follows a group of four medical researchers lead by Fank (Mark Duplass) and his fiance Zoe (Olivia Wilde). The quartet are working under a grant from the college to experiment with something that could revolutionise the mechanics of modern science. In their endeavour, they develop a serum that could bring the dead back to life.
This revolutionary experiment would definitely benefit humanity, but unfortunately, how their plans go topsy-turvy, forms the crux of the narration. While this brief may sound interesting theoretically, director David Gelb’s work of art is disappointing.
The first act of the film has verbose exposition where characters rattle off their frustrations spouting cliches and technical terms, creating a chaotic conflict which is unclear. It is only after the initial experiment when the dead dog comes back to life that the flow of events and narration is comprehensible to an extent.
In the second act, when Zoe accidentally dies and is later revived, strange things begin happening to her — she can move objects through telekinesis, and, this being a horror film, she’s possessed by the sudden desire to murder everyone around her. Simultaneously, we are bombarded with the leitmotif of Zoe’s haunting vision which involves a little girl helpless to rescue a family from burning to death. These scenes confuse you further.
Also, the abrupt end makes the film look like like an incomplete work, concluded hurriedly.
These turn of events on screen does not speak too highly about writers Luke Dawson and Jeremy Slater’s screenplay. Every scene, whether it is a mere exchange of dialogue between characters or a setup to a creepy jolt, is without ambition and the film drags through a series of foggy and irrational plot points that lead nowhere. It offers no insight into the premise and lacks any indication to the goal.
While the actors labour hard to give life to the characters, the underdeveloped character graphs do not support them. Overall, the acting is functional without any chemistry between actors. Olivia Wilde as Zoe has a meaty role. Her transition from a researcher to the subject of the research to the demonic beast is commendable.
Duplass as the careless lover and overtly ambitious nerd is natural. Their two colleagues; Donal Glover as Nike who has a soft corner for Zoe and Evan Peters as Clay along with Sarah Bolger who plays a damsel in distress, videographer are all too restrained.
Technically, the quality of the visual effects is above average but oft seen and forgettable.
Effectively, “The Lazarus Effect” is not worth your leisure time. (IANS)
FILM: Badmaashiyan
DIRECTOR: Amit Khanna
CAST: Suzanna Mukherjee, Sidhant Gupta, Karan Mehra, Sharib Hashmi
A well-intended sawach-aur-saaf-suthri comedy “Badmaashiyan” is a curiously content-driven rom-com with one of the most consistently wicked female protagonists I’ve seen in recent cinema from Bollywood or Hollywood.
Unlike the over-praised “Dolly Ki Doli” where Sonam Kapoor was hailed as a new-age heroine for conning her way through multiple marriages, newcomer Suzanna Mukherjee ironically named Naari in “Badmaashiyaan” ,is unabashedly moral, money-minded to the point of being vulgar in her avarice. Suzanna plays the character with just the right doses of devilish cuteness to make Naari seductive and palatable. It is quite a debut. The actress’ insouciant materialism holds the clever inventive plot together.
The men are hopelessly hooked to the deceitful damsel. The plot divides Naari’s con games into three unmarked sections, the first when an unsuspecting well-meaning dude from Chandigarh Dev(Sidhant Gupta, confident and screen-friendly) falls head-over-heels for the con-woman.
In a rolicking relay race of romantic renewal the baton of romancing Naari is then passed to a quirky detective named Pinkesh (played with precocious panache by Karan Mehra).
It is really in the third romantic interlude that the plot tickles the funny bones the most when a dreaded don Jazzy (Sharib Hashmi, a delight to watch) becomes putty in the pretty con woman’s hands.
The three besotted lovers’ characters are intersected into unlikely junctions . The smartly written comedy(Kushal Ved Bakshi) manages to stay a few baby-steps ahead of audiences. The writing sparkles when Naari does her eyelash-batting coquettish act with her men who choose to get fooled becauseawell, because some believe men think with a body part other than brains when they are in love.
This premise is brought into play with immense vibrancy and surprisingly no vulgarity. Think of it. A rom-com about three guys with healthy appetites lusting after a sexy young tease. And no double meaning? The censor board must have swooned in delight.
I specially liked the sequence where Naari tries to feed a sob story about her mother stricken with cancer to Pinkesh who reminds Naari not too gently that he saw the “ill’ mother dancing vigorously.
It’s all done in the spirit of a buoyant but clean bordello humour. Not all of it works. At the start there is a horribly mis-constructed bank-robbery sequence with a female actor hamming so hard you fear for the narrative’s wellbeing. After a false start director Amit Khanna picks up the threads of the plot and weaves them nimbly into the lives of his characters, all of whom are much less acool’ than they’d like to believe.
“Badmaashiyan” conveys a pleasant in-through-the-out-door feeling. The film is set in Chandigarh and delivers some priceless barbs at the city’s expensive. A wannabe groom wants to know why so many girls from Chandigarh are named Pooja or Neha , why they are fans of Shah Rukh Khan and why they end up becoming dress designers.
“Badmaashiyan” revels in an innocuous irreverence. It’s an original and frequently funny comedy of ongoing errors where various characters including a wholesome conscience-stricken girl (Gunjan Malhotra), a hilariously over-the-top Sardarji and a clueless gangster’s right-hand-man (played with fantastic fervor by Nitin Goswami) meet and collide creative a crackling hissing humour. Most of all, the female protagonist is wickedly duplicitous to the last. Talented new actors who know how to juice funny scenes for all they are worth make this a warmly welcome comedy. (IANS)