SHILLONG, July 28: Responding to allegations about unprofessionalism, favouritism, and mismanagement at the Meghalaya Grassroots Music project (MGMP), as reported in this paper under the title, “MGMP: Row sparks after artistes air ‘grievances’”, the team at Opus Productions have issued a clarification.
Elton Phankon, project director, stated, “MGMP Season 2 manages an ambitious schedule, with 170 to 200 shows each month across the Khasi Hills, Jaintia Hills, and Ri-Bhoi districts, involving coordination of 350 to 500 musicians monthly. Critics have pointed to logistical challenges as evidence of poor professionalism.”
However, MGMP attributed disruptions, such as venue cancellations or adverse weather conditions, to unforeseen factors. “We emphasise our commitment to rescheduling affected shows and managing operations as smoothly as possible given the constraints,” stated Phankon.
Accusations of favoritism and bias in artist selection have surfaced, suggesting personal preferences influence performance opportunities. MGMP maintains that favoritism is impractical with such a high volume of participants. “The selection process is designed to be fair and inclusive, aiming to support as many local artists as possible while adhering to performance standards suitable for venues,” they asserted.
The project focuses on promoting local talent and excludes artists from outside the state to bolster regional artists and tourism. Despite claims of favoritism from café owners for preferred bands, MGMP insists on maintaining a balanced roster to ensure equitable opportunities.
Concerns were also raised about the professionalism of the MGMP crew, with suggestions that crew members, who are also accomplished musicians, may be receiving gigs inappropriately. MGMP countered these claims, stating that the crew’s involvement is crucial for managing last-minute cancellations and ensuring smooth event execution. “The majority of the crew members are highly skilled musicians who contribute to the project’s operational efficiency,” explained Phankon.
A significant point of contention is the payment structure for artists. MGMP pays performers based on predetermined amounts set by Meghalayan Age Limited and the relevant department and Rs 12,000 for café shows, Rs 10,000 for busking, and Rs 50,000 for special events. Critics have argued that these payments are insufficient, especially compared to fees some artists charge. MGMP defends this budgetary constraint as necessary to include a broad range of performers within the established financial limits.
“As the project continues to evolve, ongoing scrutiny and dialogue will be essential to addressing these issues and ensuring the project’s integrity and success,” stated Elton Phankon, Project Director.
He added, “It is crucial to mention that isolated opinions do not necessarily represent the overall experience of all participants involved in the project.”
